Anthems: Part 2
This post was written by Benjiposted in Art of Fighting, Coldplay, Tobias Froberg |
Now that we’ve laid down the basics for what makes an anthem, an anthem, I think it’s time we got down to some more specifics in our final segment. I hope you’re enjoyed this segment of anthems, and my pseudo-intellectual approach to dissecting its instant appeal. You might think this all a bunch of BS–that’s fine–but trust me on the sunscreen.
5) Case in Point: Art of Fighting - Eastbound
Yes, this song has been featured on this blog before, but it’s awesome enough to show up again. This is a perfect example of the slow-ballad-anthem. It works through gentle repetition of the chorus or certain verses. This track also happens to retain that quality of a dream-like opening that expands into a heartened chorus (a la My Morning Jacket’s “Gideon”). And the harmonies are incredible.
6) Case in Point: Tobias Froberg - What A Day
I was thinking about placing this song under the sing-along factor, but it is equally applicable for the head-bopping/finger-tapping factor. Resistance to any kind of physical gesturing with a song such as “What A Day” is futile–don’t fight it, embrace it!
7) Case in Point: Coldplay - Fix You
Much the same way that U2’s “Pride” was an anthem by virtue of its U2-ness, so to is Coldplay’s “Fix You” an anthem due to its Coldplay-icity. But what really makes “Fix You” stand out is the ability of lead singer Chris Martin’s incredibly infectious falsetto (falsetto factor is a subset of the sing-along factor) and the band’s harmonies to produce the collective-experience effect. This refers to the song being an experience, a journey to be shared by those listening to the song at the same point in time. This effect is perhaps the hardest to identify theoretically, but it is instantly recognizable in the moment.
posted on December 2nd, 2007 at 11:24 am